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Jamaaladeen Tacuma (born Rudy McDaniel, June 11, 1956) is an American free jazz bassist born in Hempstead, New York, perhaps best known for his albums as bandleader on the Gramavision label and for his work with Ornette Coleman during the 1970s and 1980s (particularly in Coleman's ''Prime Time'' band). Jamaaladeen's 1988 album ''Jukebox'' was nominated for a Grammy Award in 1989, but did not win.〔 ==Biography== Tacuma, raised in Philadelphia, showed interest in music at a young age, performing with the organist Charles Earland in his teens. Through Earland Tacuma came to know the record producer Reggie Lucas, who introduced Jamaaladeen to Ornette Coleman in 1975 at age 19. As the electric bassist for Coleman's funky harmolodic ''Prime Time'' group, Tacuma rose to prominence quickly; another notable band member was the guitarist Bern Nix. While with ''Prime Time'', Tacuma relied mostly on traditional technique, picking with his fingers. His later work showcased a more rhythmic, thumb-slapping funk approach. The first three Prime Time recordings (''Dancing in Your Head'', ''Body Meta'', and ''Of Human Feelings,'' all recorded in the late 1970s) feature Tacuma's work on a Rickenbacker bass, a model popular among progressive rock musicians but rarely used on jazz recordings. He switched to a Steinberger bass in the 1980s, an instrument that helped him create his readily identifiable sound. Tacuma's work with Prime Time landed him his most high-profile gig to date: an appearance with the band on ''Saturday Night Live'' on April 14, 1979, which Tacuma later cited in ''Musician'' magazine as his "best live performance ever". Besides the work with such musicians as James "Blood" Ulmer, Walt Dickerson, Chuck Hammer, and David Murray, he collaborated with the upcoming artists of the New York Downtown scene like Kip Hanrahan, David Moss, Bill Laswell and Anton Fier (''The Golden Palominos, ''1983) that further heightened his reputation. Tacuma's first solo album, ''Show Stopper'', came in 1983 on the Gramavision label; the album grew out of the jazz-funk style he developed in his work with Coleman. His other works as leader at Gramavision followed that formula. In the 1980s Jamaaladeen started to perform in a relatively straightforward funk/R&B setting with his group Cosmetic. He was frequently featured in music magazines thanks to his aggressive, driving playing style and his angular fashion sense. In 1981 Tacuma received the highest number of votes ever for an electric bassist in the "talent deserving wider recognition" category of the ''Down Beat'' magazine critics poll. Since the early 1990s, he has remained active but has maintained a lower profile. He has made numerous solo and collaborative recordings, including perhaps most notably several CDs of duets with saxophonist Wolfgang Puschnig. AllMusic cited ''Mirakle'', a recording that features Tacuma, drummer Grant Calvin Weston, and guitarist Derek Bailey as one of the "most important recordings of year 2000." In 2006, he returned to the jazz spotlight with an appearance on the World Saxophone Quartet's ''Political Blues''. In 2007, he joined with Weston and guitarist Vernon Reid (known for his work in Living Colour and with Ronald Shannon Jackson) to form the power trio Free Form Funky Freqs. He has also recorded two albums with Basso Nouveau, a group that features multiple bassists playing together on a variety of instruments, including electric bass, upright bass and acoustic bass guitar, and that also includes bassist Gerald Veasley.〔http://www.jamaaladeenmusic.com/music-store〕 In 2011, Tacuma was selected for a Pew Fellowship in the Arts.〔 抄文引用元・出典: フリー百科事典『 ウィキペディア（Wikipedia）』 ■ウィキペディアで「Jamaaladeen Tacuma」の詳細全文を読む スポンサード リンク
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